Dominic Johnson

Image by Christa Holka

Dominic Johnson is Reader in Performance and Visual Culture in the School of English and Drama, at Queen Mary University of London. He is the author of Glorious Catastrophe: Jack Smith, Performance and Visual Culture (2012); Theatre & the Visual (2012); and The Art of Living: An Oral History of Performance Art (2015). He is the editor of five books, including most recently Pleading in the Blood: The Art and Performances of Ron Athey (2013); and (with Deirdre Heddon) It’s All Allowed: The Performances of Adrian Howells (2016). A new monograph, Unlimited Action: The Performance of Extremity in the 1970s is forthcoming from Manchester University Press in 2018. He is also an Editor of the journal Contemporary Theatre Review.

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